SCREAM - Ed Pien and Samonie Toonoo

Hi, everyone! I talked about Ed Pien some articles ago. Today the artist wrote to me and gave me this press release of his new exhibition in Toronto, Canada. For who will be there, enjoy it :-).

Ciao a tutti! Ho parlato di Ed Pien alcuni articoli fa. Oggi questo artista mi ha scritto e dato il comunicato stampa della sua mostra a Toronto, in Canada. Per quelli che passeranno da questa città, buona mostra :-).

The Justina M. Barnicke Gallery presents:

Scream

Ed Pien and Samonie Toonoo

Curated by Nancy Campbell

June 10 - August 21, 2010 Opening: Thursday, June 10, 6:00 to 8:00 pm

IMAGE CREDITS (Left to Right): Samonie Toonoo, Skull, 2008. Courtesy Feheley Fine Arts. Ed Pien, After the Meal, 1999. Courtesy Birch Libralato Gallery.

Edvard Munch’s well-known—and much written about— painting, The Scream, was created in 1893, and is widely considered to represent the universal anxiety of modern man. It depicts a screaming figure with a skull-like face, who appears to be in the throes of an unknown emotional crisis. This image is now one of the most familiar in art history, having been adapted and reused in the popular arts in a myriad of ways. Undoubtedly, our continued fascination with The Scream reflects the universality of anxiety in contemporary life. The exhibition Scream explores this ongoing fascination through the work of Ed Pien and Samonie Toonoo.

Samonie Toonoo, an artist from the remote community of Cape Dorset, Baffin Island, has likely not seen The Scream or heard of Ed Pien. However, although it is a stretch to compare Inuit soapstone sculpture to contemporary drawing, let alone late-nineteenth-century Symbolist painting, the similarities between the two artists's interests are striking. Toonoo was born in 1969. He has been carving for a number of years and his art typically represents transformation scenes drawn from Inuit folklore and nature. In an interview Toonoo describes his sculptures as a release of the “stuff in his head”; hence their sometimes cryptic and often frightening quality. His most recent body of work is highly personal, seeming to reflect the different aspects of his life. Like his contemporaries, Toonoo has broken out of the prescribed expectations of Inuit art, forging a new vocabulary to interpret and represent the world.

Established Toronto-based artist Ed Pien was born on the other side of the world in Taiwan in 1958 and immigrated to Canada when he was eleven. Pien’s ghosts of Taiwanese folklore and his representations of western Hell also play to the anxieties of contemporary life. Pien has continued to make use of a quick and prolific mode of drawing he developed, sometimes assembling multiple drawings into composite works or employing the wet ink as a mono-print to start a new image. These drawings, some taking three minutes, others intricately constructed over time, are immediate and intuitive, exploring primal fears and otherness.

The exhibition Scream: Ed Pien and Samonie Toonoo follows last summer's critically acclaimed exhibition Noise Ghost: Shary Boyle and Shuvinai Asoona, continuing curator Nancy Campbell's interests in spinning the expectation of Inuit art by positioning the work alongside contemporary work from the south.

Justina M. Barnicke Gallery
Hart House, University of Toronto
7 Hart House Circle
Toronto, ON M5S 3H3
Tel: 416-978-8398



Summer Gallery Hours:
Monday to Saturday 12pm - 5pm
Please note: The Justina M. Barnicke Gallery will be closed from Thursday June 24 - Monday June 28.

The Gallery is wheelchair accessible
The Gallery is closed on statutory holidays

http://www.jmbgallery.ca/

There are also two press reviews:
http://www.steelbananas.com/2010/06/scream-but-hold-the-universal-angst-of-m
odern-man/    
http://www.thestar.com/entertainment/whatson/article/823983--pien-toonoo-show-at-barnicke-a-real-scream

Ed Pien - When the West meets the Orient

 

Today I will talk about Ed Pien, who is exhibiting at at Galerie Maurits Van De Laar, The Hague, Netherlands, together with Seekee Chung the artist I talk about on Wednesday. Ed Pien (1959), who is born in Taiwan and lives in Toronto, combines elements from western and Asian visual culture in his work. During a journey through China he discovered the cut-out drawing, especially used in clichéd images for tourists there. During a journey through China he discovered the cut-out drawing, especially used in clichéd images for tourists there. Pien took over this technique in order to creat delicate and complex representations of trees and woods, in which human figures are concealed. Recently he also covers the paper with reflecting material, causing a mysterious glitter in the image. The figures and creatures in his recent work are based on classical works in Chinese literature, such as Journey to the West and The Classics of Mountains and Seas.

Oggi vi parlerò di Ed Pien, che sta facendo una mostra alla Galerie Maurits Van De Laar, The Hague, in Olanda, con Seekee Chung, l’artista di cui vi ho parlato mercoledì. Ed Pien (1959), è nato a Taiwan e vive a Toronto, nelle sue opere combina elementi della cultura occidentale con altri della cultura visuale asiatica. Durante un viaggio in Cina ha scoperto il disegno attraverso il ritaglio, particolarmente usato nelle immagini per turisti. Pien ha preso in prestito questa tecnica per creare delicate e complesse rappresentazioni di alberi e foreste in cui si nascondono figure umane. Da poco ha iniziato a coprire la carta con un materiale riflettente, che dona all’immagine un luccichio misterioso. Recentemente le figure che appaiono nei suoi lavori sono tratte dalla letteratura cinese, come “Viaggio in Occidente” e “The Classics of Mountains and Seas”.

For further information see also http://www.edpien.com/ .
All the images posted here are Ed Pien’s works.